“But why should you give up your art?” persisted Joan. It was that was sticking in her mind. “I should have thought that, if only for the sake of the child, you would have gone on with it.” “Yes, dear, and of course that can happen too,” agreed the little old lady.!

Sometimes, seated on a lichened log, or on the short grass of some sloping hillside, looking down upon some quiet valley, they would find they had been holding hands while talking. It was but as two happy, thoughtless children might have done. They would look at one another with frank, clear eyes and smile. “In what way?” questioned Joan.

A short, dark, thick-set man entered and stood looking round the room. The frame must once have been powerful, but now it was shrunken and emaciated. The shabby, threadbare clothes hung loosely from the stooping shoulders. Only the head seemed to have retained its vigour. The face, from which the long black hair was brushed straight back, was ghastly white. Out of it, deep set beneath great shaggy, overhanging brows, blazed the fierce, restless eyes of a fanatic. The huge, thin-lipped mouth seemed to have petrified itself into a savage snarl. He gave Joan the idea, as he stood there glaring round him, of a hunted beast at bay. “We’ve never had a home exactly,” explained Mrs. Phillips, during their journey in the tram. “It’s always been lodgings, up to now. Nice enough, some of them; but you know what I mean; everybody else’s taste but your own. I’ve always fancied a little house with one’s own things in it. You know, things that you can get fond of.” Joan recounted the episode—so far as the doorstep.